Spencer Griffin's New Music Mondays

 "Fool's Gold" by Buffalo Traffic Jam:  By now, a song like this might be considered a throwback song! A Mumford and Sons-ish galloping rhythm, a bluegrass-y vibe similar to Trampled by Turtles, and a voice like the lead singer of Caamp all combine into one bluegrass-rock tune on "Fool's Gold" by Buffalo Traffic Jam! The titular "fool's gold" seems to be numbing ways of distracting oneself from the difficulties of life, such as drugs. In other words, things like that are just a crutch. They may seem like "gold," but they're really just another way of saying "I'm OK" when you're really not. This song is like an Americanized Mumford and Sons going through a revelation that nothing in life is as it seems! "In Your Ocean" by Iron & Wine:  The sublime, alternately tuned folk-rock sound on IAW's latest song, "In Your Ocean," makes it sound like it was an outtake from an earlier album they di...

 Happy New Year everyone!! Here goes!! "Lou Reed Was My Babysitter" by Jeff Tweedy:  A striking contrast to the other two following entries on my list in a few ways. It starts with L, not W, the performer of the song is white, not Black, it tells a statement, not a question (the other two both ask "Who?"), and it goes more towards alt-rock and folk-rock than it does to vintage R & B vibes. This makes "Lou Reed Was My Babysitter" a vibrant entry to start off 2026!! Even the title of the song says a lot!! The Patron Saint of Alt-Rock has long deserved his own song, and Jeff Tweedy finally gives him one! Does it sound like Lou Reed?! Yeah, it kinda does! It has a very laconic, dry rock sound that goes halfway between laid-back folk-rock and jagged, experimental alt-rock. The song contains rather obvious references to songs like "Rock and Roll," and other more oblique references to various Lou/Velvets songs, possibly evoking "Sister Ray...

 Here it is, folks!! The Top 20 songs of the year!! Ready? Here goes!! 20. "Mistakes" - Caamp 19. "Relationships" - Haim 18. "Metaverse" - Cage the Elephant 17. "After the Setting Sun" - The Head and The Heart 16. "People Watching" - Sam Fender 15. "Same Old Song" - The Lumineers 14. "Lucy" - Mt. Joy 13. "Rushmere" - Mumford and Sons 12. "Everything is Peaceful Love" - Bon Iver 11. "The Night Before" - The Black Keys 10. "Catch These Fists" - Wet Leg 9. "Everyday Magic" - My Morning Jacket 8. "Knockin' Heart" - Hamilton Leithauser 7. "Let Things Go" - Caamp 6. "Nothing I Need" - Lord Huron 5. "Ankles" - Lucy Dacus 4. "Sally, When the Wine Runs Out" - Role Model 3. "Time Waited" - My Morning Jacket 2. "Horses" - Jesse Welles ....and....the number one song of 2025 is..."MOODY" BY ROYEL O...

 here they are: "Ain't Nobody Making Me High" by Bartees Strange:  Thanks to musicians like Jimi Hendrix and Lenny Kravitz, we have seen Black performers who enjoy hard rock music. A more recent and rarer phenomenon are Black performers who enjoy indie music. TV on the Radio are such a group, and in the 2020's, Bartees Strange seems to have taken on this mantle. But on Bartees' latest song, "Ain't Nobody Making Me High," he shifts his gears from indie to more of a blues-y, gritty funk/soul flavor! It's the type of soulful song Lenny Kravitz himself might have done back in the day, and a lot of it brings about '70s funk vibes a la Funkadelic or Rufus ("Tell Me Something Good" especially comes to mind here!) Even the lyrics to the song are minimalist and blues-y, and the photo on the album's single showing a black and white photo of Bartees with a serious, somewhat contemplative expression and his hair in cornrows sets the tone fo...

 here they are: "Cold at Night" by The Mountain Goats:  A song that was released last month but that I'm just starting to get to know now...it only figures The Mountain Goats would release something on Halloween month, right?! I mean with titles like "Damn These Vampires," "Up the Wolves," and "Werewolf Gimmick," The Mountain Goats run the gamut when it comes to "spooky" titles and topics. "Cold at Night" fits right along with that. The song also has a bit more of a rock sound than fans of the Goats' normally folk-rock-y music might be used to, but it still lands roughly in that indie-folk-ish patch. I'm surprised there isn't "fandom rivalry" between The Mountain Goats and The Decemberists, given how both were mid-'00s indie-folk-rock groups who often sing about dark subject matter over sweet folk-rock-y melodies. "Cold at Night" totally lands in that Decemberists-ish spot with its tale ...

 here they are: "Afraid" by Flock of Dimes:  Having made quiet yet considerable success on adult alt radio with the aching, acoustic "Long After Midnight" in summer of this year, "Afraid" is autumnal electronica melancholia at its finest! The song relies less on guitars than "Long After Midnight" did, but it's just as compelling and just as vulnerable! Like many Flock of Dimes songs, "Afraid" wears its vulnerability on its sleeve! "I did not enter this world afraid," Jenn Wasner says during the song's opening lines, and from there, she distills herself down to her emotional essence, laying her feelings bare for the listener of the song. The song's opening line is also its last line, but Jenn adds "But I refuse to leave it that way" during this part of the song. Songs like this make me sad, but in the best possible way!  "Anywhere" by Ratboys:  They're not rats, and their lead singer isn'...